Month: September 2021

the story of the skušek collection at the slovene ethnographic museum

image: Ivan Skušek and Tsuneko Kondō Kawase in Beijing, courtesy of Slovene Ethnographic Museum.

The collection of Ivan and Marija Skušek is the largest collection of Chinese objects in Slovenia. It contains around 500 objects, among them high-quality items, such as richly embroidered textiles, paintings, albums, Buddhist statues, ceramics and porcelain, furniture, decorative wall screens and a model of a house, as well as less prestigious collectibles such as coins, musical instruments, everyday objects, photographs, and old postcards. The most remarkable and valuable part of the collection are the various specimens of richly carved Chinese furniture. Astonishingly, Ivan Skušek (1877–1947), who lived in Beijing from late 1914 until 1920, was one of the first Western collectors to discover the refined lines of Chinese wooden furniture.


Skušek was a high-ranking officer aboard the Austro-Hungarian cruiser S.M.S. Kaiserin Elisabeth, who was interned as a prisoner of war after German and Austrian troops in Qingdao were defeated by the Japanese. Skušek’s time in China remains shrouded in mystery; however, recently uncovered correspondence suggests he was employed by the Dutch embassy towards the end of his stay.[1] [2]  In Beijing, Skušek met his future wife, a young Japanese woman Tsuneko Kondō Kawase, later baptized Marija (1893–1963), and began to systematically collect various objects. His intention was to open upon his return a museum in the style of a traditional Chinese house. While he never had sufficient means to fulfil this ambition, Skušek’ home in Ljubljana, crammed with various Chinese objects, became a kind of “living” museum and was frequented by the intellectual and artistic elite of the time.

In the late 1950s, Marija Skušek donated the collection to the Slovene Ethnographic Museum (SEM). With a rare exception, the objects have not been exhibited since the closure of the SEM’s dislocated non-European collections branch in 1990.

about vaz collections

The recent 3-year project East Asian Collections in Slovenia (VAZ), supported by the Slovene Research Agency (ARRS,  No. J7-9429), provided funding for the first comprehensive study of five East Asian collections in Slovene public museums, including Skušek’s. Directed by the Department of Asian Studies at the University of Ljubljana, in partnership with SEM and ZRS Koper, and in cooperation with further 3 national and regional museums, academic researchers and museum professionals have developed interdisciplinary, locally-tailored approaches to the documentation, classification and analysis of such objects.

Furthermore, the team has created the VAZ database with the long-term goal of digitizing all East Asian collections in Slovenia, thus granting the public access to items mostly tucked away in museum storages. The VAZ database has enabled the inclusion of nearly 900 items from the Skušek collection into the Europeana Library thanks to the co-financing of the PAGODE project.

Inspired by the PAGODE project, the VAZ website has been enriched with blogs, galleries, thematic exhibitions, in addition to information about the team’s diverse activities.

Discover: www.vazcollections.si


PAGODE – Europeana China is co-financed by the Connecting Europe Facility Programme of the European Union, under GA n. INEA/CEF/ICT/A2019/1931839

tea from china

The iconic beverage cultivated in China had definitely conquered the world, but for millennia after its discovery tea was consumed as a medicine.

Once it started to be considered as a social drink and entered many’s daily diet, tea cultivation and the intricate process of producing and preparing tea became a large business. China tea reached mainland Europe with the Dutch East India Company early in the 17th century, followed by the English East India Company importing tea to London.

Since then, tea has spread thoughout the world, and along time it embedded various social meanings and got local rituals attached to the tea cup.

Discover history and curiosities about tea in China and around the world, in this blog authored by Sofie Taes on Europeana website >>

image:  Teapot with lid. Porcelain with famille rose enamel decoration of flowering branches of peony, rose and chrysanthemum and flowers. China, Jiangxi province, Jingdezhen. Qing dynasty, AD 18th c. Height 15.8 cm. Donated by George Eumorfopoulos (GE 2874). fromBENAKI Museum. CC-BY-SA via Europeana.

PAGODE – Europeana China is co-financed by the Connecting Europe Facility Programme of the European Union, under GA n. INEA/CEF/ICT/A2019/1931839

pagode festival: chinese influences, “western” fashion

PAGODE Digital Festival is proud to present an online talk and presentation in collaboration with European Fashion Heritage Association. The talk presented material memories of fashion, furniture and craftsmanship to demonstrate how motifs and objects from China took over the West, elegantly influencing its tastes and production.

Presented by Marta Franceschini (European Fashion Heritage Association).

Marta Franceschini is a PhD candidate in Design Sciences at the Iuav University of Venice. She holds an MA in History of Design at the Royal College of Art, collaborates with EFHA-European Fashion Heritage Association, and is a research assistant at the Victoria and Albert Museum in London

Hosted on Zoom by the University of Ljubljana.

Date and time: Friday 3rd September 2021 h. 15 CEST

Organized in collaboration with European Fashion Heritage Association

Image: Fan, CC-BY Victoria and Albert Museum via Europeana. Folding fan, leaf of vellum painted in watercolours with carved mother-of-pearl sticks, leaf design after Jean-Baptiste Pillement, France, 1760-70. Fan leaf of vellum painted in watercolours. Three vignettes make up the design, showing Chinese fishermen, Chinese children playing on a see-saw, and Chinese children making music. Each scene is set in a landscape framed by delicate rococo scrolls. The reverse is painted with a spray of pink flowers outlined with gilt. The sticks are of carved and pierced mother-of-pearl showing Chinoiserie scenes, inlaid with gilt and silver foil. The sticks that support the leaf are made from wood laminated on to the mother-of-pearl sticks. Pin of white paste.  Painted in watercolour on vellum, with carved mother-of-pearl sticks and guards, decorated with gilt and silver foil.

DISCOVER ALL THE EVENTS IN THE PAGODE DIGITAL FESTIVAL >>>


PAGODE – Europeana China is co-financed by the Connecting Europe Facility Programme of the European Union, under GA n. INEA/CEF/ICT/A2019/1931839